Plein Air Curacao 

I'll soon be off to participate as an invited international artist to paint in the 2015 Plein Air Curacao event.  As always, I'm getting very nervous.  I think it's a good thing to be excitedly nervous as I approach exhibits and plein air events.  It keeps me humble to know what talented plein air painters there are out there in the world and how honored I am to be a part of each event I'm juried into.  I thank the judges and the sponsors who are believing in me and in my work and the MOST FUN of these events is to get to know the people and their location.  Plein air artists are lucky, lucky people.  We get to capture beauty and history and a unique segment of time that will live forever on paper and canvas.

I ended up purchasing the "En Plein Air Pro" easel, which will soon get a workout.  I'll write a review of the easel once I've used it in the field.  The whole set fits in a small bag which can be carried as a shoulder bag or a small backpack.

You can see my page and paintings during the 2015 Plein Air Curacao event.

Easel Envy

 

I’ve broken several portable easels during plein air painting the last few years.  I’m searching for the perfect set up for watercolor painting outdoors.  I have “Soltek” envy right now…..this easel looks perfect to me, except for the $500.00 price tag, especially after reading about the problems painters are having with the telescoping legs of this expensive piece of equipment.  But the sleekness of body, the resilience against wind and the lightweight quality of this easel is more than attractive to me.

Easels are personal and I’ve yet to find a favorite. I start out sane and organized but by the end of a day, I have paper towel rolls blowing away and paint brushes lost on the ground and my kneaded erasers are gone with the wind.   I lose equipment and drop pieces wherever I go.  I’d like to find an answer to the easel conundrum and find something that helps me stay organized. I'd like an easel with a shelf for my supplies that's portable.

Here’s a thought.  I read this interesting article about making a watercolor plein air easel to match my style:  http://www.finearttips.com/2011/10/5-steps-to-the-perfect-portable-watercolor-painting-setup/

I also like the en plein air pro at http://www.enpleinairpro.com/reviews.html

 It looks easy to set up and lightweight and I especially like the shelf for supplies and  the way the palette has an opening for the water.  That just looks practical to me. Price is under $300.00.

So, “Easel Envy:”  I’m searching and would love to have input on the perfect watercolor plein air easel.

Plein Air Painter

                                                     

       How I love painting on site.

A Little Cabin, Merrie Woods

There's nothing like capturing that moment in time.

People walk by and inform the painter of information....the wind blows and and the weather sets the tone for atmosphere....birds and animals create peripheral sound...it all works to make a great painting.


These little cabins were painted at Camp Merrie Woods, near Cashiers, NC.  It was a wonderful location and the campers all added their editorials.  They were delightful.  Please check out my website at www.catherinehillis.com for more information about my future plein air painting competitions.  And, come on by and see me!

Cabin at Camp Merrie Woods

Artists, Grow a Thick Skin

August 1, 2014

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Mt. Ida, Watercolor, Ellicott City, MD

This summer has been full of plein air painting in contests for me.

I apply for plein air competitions across the country – some of which I am invited to and some which I am not.  It’s both costly and time consuming – I must mark time off of my calendar while I wait to hear from these organizations.  I cannot schedule classes or workshops during these times and, time is money to a working artist.

I also compete regularly in national watermedia competitions.  The paintings that I select to compete are held off the market for months and sometimes years while I’m waiting to hear whether the pieces are selected.  The fees are outrageous and the shipping and handling costs for paintings which get into these contests are getting higher all the time.  One can always hope for an award to cover costs...which happens sometimes.

If you’re an artist and you want to work as a professional, one of the first requirements is a very thick skin. One must also have a sense of adventure, along with patience, tenacity and tremendous desire to succeed, but a thick skin keeps one sane.  Talent is, of course, an unstated prerequisite here.  And always remember:  there are many, many talented artists in this world of ours. 

Judging is a subjective process and if your painting is a good one, believe in it and believe in yourself.  While one judge may not select me to compete in a plein air contest, the next one may select me and present me with an award.  If I don’t try, how will I know whether I’m ready for competition?  And, if I don’t try and permit myself a few failures, how will I improve?  The professional must place herself right in the midst of competition and into the market in order to grow and succeed.  Placing oneself in the middle of the “heat” is the only way to learn.

But, grow a thick skin and don’t seek applause from your fellow artists.   Validation must come from within.  You must know passionately that you are doing what you're created to do.

Captain's Hat, Watercolor, Cashiers, NC

                                          

SPLASH 14 and Vienna Arts Society Exhibit

Thank you, Vienna Arts Society, for honoring me and asking me to judge your beautiful show "Art in Bloom." The winners have now been selected and I just want the members in Vienna to know: Great Work! It's an honor to view your paintings, but it's difficult to know I cannot give everyone a ribbon. I hope that the folks in your community will come by the gallery in great crowds and see what wonderful talent they're privy to. I'm looking forward to presenting a workshop at the VAS this spring.

On another note, I opened my email tonite to find that my painting "My Viewpoint" has been selected for the book, SPLASH 14, to be published in 2013. This is my second time to be included in the book in three years and I am overjoyed, honored and so happy to be recognized for my hard work.

I Have Four Paintings Lined Up

Yes, I have four paintings lined up in the studio. I've been pouring on three of these pieces, so they've been drawn, the paper was stretched and dried and masking fluid applied to the paper, to protect my whites. I've poured staining paint onto prepared, moistened paper three to four times (in my white bathtub). I have to wait at least twenty four hours between pours. Once I'm satisfied with my "pours," I begin hand brushing paint. I try to keep this to a minimum, because I don't want to lose the gorgeous colorful washes that are created by pouring paint.

On one painting, you can clearly see the masking fluid and the staples stretching the paper along the top. This painting has been poured three times, with earth colors being incorporated in the last pour.

The other picture, which is further along, has been poured four times, with earth colors being used in the final pour. You can see where I've begun my brush work on top of the poured washes. I must remember to keep brush work to a minimum. I want to allow the viewer's eye to complete as much as possible.

I'll be presenting all new work at The Bridge Gallery in Shepherdstown, WV: the opening reception is Saturday, March 31.

Blue Jeans

This painting was completed in the traditional watercolor manner, but I've had to do a lot of tweaking in the end....I've been thinking about this one for a few weeks. It's been poured on, atomized, and glazed.

LIght Patterns

Here's another painting that's on the easel. I usually have several pieces going at a time, so that I can keep it fresh and moving and spontaneous.

I'm teaching my students how to paint fabric; yesterday's lesson was how to paint quilts. Watch as I develop this piece.

I love to paint pears because they're such a classic subject and there's so much more than meets the eye, if the artist takes their time in observation......

Happy Painting Holidays!

December 20, 2011

This is the time of year when I just feel darn grateful. Not everything has gone my way, for sure, but I'm grateful to be working as a professional artist and instructor, to be selling artwork to those who love it, and to be able to travel (I'm a gypsy) to share my knowledge.

This year has found me teaching, and/or painting, in Italy, New Mexico, Pennsylvania, Maryland, North Carolina, Florida and throughout Virginia. I have loved every minute of it.

I've sold a lot of paintings and I've met a lot of wonderful people who share a love of watercolor painting with me. I enjoy sharing what I know (and, I'm still learning and hope that I always will be), and watching students advance. It's pure joy to start seeing results from students and know that they love painting just as much as I do. Along with this blog, I've posted a picture of some of the cards students have sent me this December.

Merry Christmas and Happy Holidays to one and all and, most importantly, Happy Painting!

New Mexico

The Cottonwood trees are a brilliant gold. I can see why Georgia O'Keeffe was mesmerized by the rough beauty of the area. I understand her paintings now.