Sunday, October 13, 2013

Milan and Lake Garda, Italy and Inspiration in General

Inspiration.  Where does it come from?

For me, travel is one of the keys to inspiration, which then leads me to creative thinking, and ending, hopefully, with an excellent painting.


Scenes of Gargnano, Italy along Lake Garda
I love teaching workshops in locations foreign to me.  It's tremendous fun to see new sights and be inspired.  Some sights compel me to paint them immediately...perhaps because of the lighting or the smells or some sort of interaction I'm experiencing at the time.  Other sights want to be photographed... in many ways.  I can spend quite a large amount of time walking around a location, taking hundreds of different photos from different angles.  In fact, one of my favorite methods for taking pictures now is to hold my camera in front of me, constantly change my angles, and shoot away.  I can often be surprised by the beauty of these random photographs.



I was able to sneak in a tour of Berlin after the workshop this year, and I took many photos of the Reichhstaag, which is one of my favorite buildings in the world.






The very nature of the building and the many reflective surfaces lend itself to painting.....I love the natural abstraction of the angles.  Whenever discussing design in class, I advise students to "make it irregular, make it oblique and make it unpredictable."  This building exemplifies some of those major adages of good design.
 As enjoyable as it is to BE inspired, it's just as energizing to me to observe students in the midst of enjoying bursts of creativity.  I must say, my students who took the Il' Chiostro Watercolor Workshop with me during early October of 2013 made great strides forward in technique.  I like to think it was the teaching; I'm just as sure it was the inspiration of the location.  So, get thee to an inspiring location....and then, remember some design advice:  keep images irregular; use oblique lines whenever you can; and stray away from predictability in form and shape.

Happy Painting!  Catherine Hillis   www.catherinehillis.com



Thursday, September 12, 2013


Berkley Gallery to host Fine Art Professionals of Northern Virginia

The Berkley Gallery is pleased to announce the upcoming exhibition featuring the Fine Art Professionals of Northern Virginia. Twenty-six, nationally recognized professional artists will exhibit work in a multiplicity of styles, subject matter and medium. The exhibit will run from October 4th throught October 15th, with an opening night artists' reception on Friday, October 4th.

This passionate group of artists, working in oils, watercolors, acrylics and pastels and representing a variety of artistic styles including realism, impressionism and abstract expressionism, have set the stage for a thoroughly unique and stunning show.

Art has the ability to make us stop, to pause and look, to process colors, brushwork, subject matter and sometimes to find a connection, a meaning that touches us. Whether you prefer to contemplate a work in silence, studying the eye of the artist or discuss the process with the artist and others, you can do both at the opening of this show on Friday, October 4th from 6-9pm. The opening is in conjunction with First Friday in historic downtown Warrenton, where shops and restaurants are open late for those that want to enjoy the autumn evening in a relaxed and enjoyable setting.

The following artists will be featured in the show:
Robert Thoren, David Williams,Tricia Adams, Jill Banks, Simon Bland, Vicki Blum, Gwendolyn C. Bragg, Chica Brunsvold, Mary Champion, Tricia Cherrington-Ratliff, Donna Clark, Elaine Elinsky, Betty Ganley, Carolyn Grosse Gawarecki, Jean K. Gill, Linda Hendrickson, Catherine Hillis, Margaret Huddy, Dell Keathley, Susan La Mont, Christine Lashley, Jonathan Linton, Jill E. Poyerd, Libby Stevens, Dana Thompson and Daniel Wise.

For more information, please contact the Berkley Gallery at 540-341-7367.

Sunday, September 8, 2013

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Bucks County, PA:  The Stone Garden, SOLD



The summer of  2013 was full of plein air painting for me.

This painting of a statuary shop was one of my favorites and was produced my first day in New Hope, PA.
I often find that my best work is done on the first day or two in a location because I'm so inspired by what I see and excited to express it.

I also enjoyed painting in the plein air competition in Cranford, New Jersey, which is a delightful and friendly town, full of Victorian houses.  I could honestly paint there for weeks and still not be finished.

I was  honored to win a Juror's Choice Award for my painting "Looking Down Frederick Street"  in one of my favorite places to paint:  Ellicott City, MD.  For that, I am grateful ... and always humble.

Plein air painting is a lovely way to get to know a town and it's people.  I always walk the town before I paint to try and absorb the attitude prevalent among the people.  I like to awaken my senses so that I can begin to really know what the town is like and how I can best explain the location I'm in at that time with paint.  I walk and listen...to the traffic and to the conversations.  I observe the architecture, the shadows and the light and I read about the history of each place so that I can begin to discern who built the town, how it grew and what it's like now.  So, if you like to paint outdoors,  take much time for observation....listening.....and sensing....before you begin.  Happy painting!

Ellicott City, MD:  Looking Down Frederick Street, SOLD   


Wednesday, July 24, 2013

http://femmesfollesnebraska.tumblr.com/post/56333204096/catherine-hillis-artist


Les Femmes Folles

Women in art

Here's a recent interview by Sally Brown Deskins:

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Catherine Hillis is one of the exhibiting artists in Monongalia Arts Center’s “Aqueous 2013" exhibit by the West Virginia Watercolor Society thru August 3.
The artist has painted all her life, winning awards and honors at competitive shows regionally and nationally.  
In July of 2007, she served as Artist in Residence in Dinan, France, and in 2010, she served as Artist in Residence at Hot Springs National Park in Arkansas.  Her work has been published in “The Artistic Touch 5,” and in “Splash 12;” and, the recently released “Splash 14.”    The Splash books are a collection of 100 top contemporary American watercolor paintings; in May, 2011, she won the “Creativity Challenge” in Watercolor Artist Magazine (online version).  She regularly competes in national watercolor exhibitions and plein aire competitions, including the Plein Aire Brandywine competition in 2011, Easels in Frederick, Frederick, MD, 2011, and Ellicott City,  MD, 2012, Cranford, NJ 2013 and the Bucks County 2013 Plein Air Paint Out.  She won an award for her painting in the 2012 Mountain Maryland Plein Aire competition in Cumberland, MD, awarded by well known judge and “Plein Aire” Magazine editor, Stephen Dougherty.
Hillis’ work has been featured in “Best of American Watercolorists, 2007;” she garnered second place in watercolors for the state of Virginia in 2005, her work being published in the book, “Best of Virginia Artists and Artisans, 2005;” her biography is included in “Who’s Who Among American Women, 2006 - 2013.”  
She primarily paints in watermedia, including busy street scenes, coastal landscapes, and her favorite, the historic sites near her home on the Blue Ridge in Virginia.  The hallmarks of her work are rich color and a touch of humor.
The artist offers classes and workshops across the country and abroad: see her website at www.catherinehillis.com for workshop and class information.  You can also view the artist teaching a series of brief watercolor lessons at www.monkeysee.com (type in watercolors onto the subject line), with F&W Media online, and on YouTube at “Watercolor Tips” with Catherine Hillis.
She generously shares with LFF about how she went from modeling to acting to mothering and making visual art, feminism, her artistic process, teaching and more…
How’d you get into art?
I’ve been interested in the arts for as long as I can remember.  As a child, I performed in theater and did some modeling.  The income I made as a child ended up paying for my college education.  I majored in theater at the University of Georgia and did a lot of acting there ( my major love), but I learned skills as a costumer and costume designer, so that I’d have something to fall back on that might generate income.  I ended up working in costumes for several years after graduating.  I did some acting as well.

I started a family before hitting my thirty’s and once I had children, I became a stay at home mom and dropped out of theater.  I really enjoyed those years of raising my 3 children:  reading books and telling stories was my favorite part.

Once my youngest child began toddling, I became hungry for the arts again and began taking watercolor classes.  I could always draw and paint well and watercolors seemed like a good fit because they’re clean, relatively non toxic, I could use them in my kitchen and I could achieve fast results.  I fell in love with the arts all over again and now, after many years, I think it would be difficult to stop me from painting.

I guess painting is a positive sort of …. addiction.  I hate to admit that, but I think it’s true.

I paint because it’s my destiny.  I have to do it.

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"Round and Round" watercolor by Catherine Hillis

Tell me about your work. What do you hope viewers get out of your work? Does feminism play a role?
I often like to insert a twist or a sense of humor in my work.  I like to take complex, chaotic scenes and make some sense out of them.  I think this is a reflection of my life…I’d like to be able to do that same thing with life in general…..take chaos, create something, and  make it serene.

I hope that when the observer sees my work they sense a bit of humor, or reflect on some moment in their own life. I like to tell stories with my work and I think that comes from my background in drama.  I always think art should tell a story.

I think the main way feminism may play a role in my work is because I now realize that while I was home watching the children, I did, without a doubt, lose time in my own journey as a professional.  I think about it often, wondering if I can make up that time in my career.  I feel like I’m in a hurry.  I want to express life the way that I see it.  I want to paint and take those chaotic scenes and…work them.

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"The David, My Perspective," watercolor by Catherine Hillis

What’s your artistic process like?
I work in my north light studio at home every single day that I can.  I usually start with my first cup of coffee and paint for several hours in the early morning.  If I have a great piece going, I stop for short breaks but will generally work all day.  I’m very disciplined and extremely focused. 
When I’m teaching, though, it’s hard to focus on my own work, so I don’t paint on days that I teach.

What would people be surprised to know about you?
People might be surprised to know that I was a child model and was in a feature in Vogue Magazine in the 60’s.

Any advice for aspiring artists?

I feel very strongly about people following their destiny.  I feel very strongly that painting is my job right now, along with teaching, and that this is the way I’m affecting lives at this time.
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More on Catherine Hillis: catherinehillis.com.
Monongalia Art Center: monartscenter.com.

Wednesday, July 10, 2013



This Virginia farm is one of my favorite locations to paint.

I'm trying to focus on the next few days, when I'll be painting in another plein air competition.

My goal is to create better work than I have in the past.  I want to further develop my skills as a plein air painter. 

This has been a good summer for thinking, painting, drawing and considering what direction I want my work to go in next, although I haven't come up with any decisions.  But, it's all a process and I think these things take time.....


Friday, June 28, 2013

Plein Air

House on the Lake, Loudoun County, VA

Folks ask me:  what's plein air?

During warm weather, my heart, mind and soul look only towards painting outdoors.

Plein air means....in the fresh air.  The French Impressionists did their share of painting in the fresh air and today there are more and more competitions across America where 20 - 30 professional painters are selected, by a judge,  to compete during a week of outdoor painting in a specific location.  The week culminates in well advertised sales events where collectors are invited to purchase.  And the collectors of plein air paintings are certainly out there. Prizes are awarded.  Photographs are taken. Magazine articles are written.

Professional artists who participate in these events are honored to be selected for an event.  It's wonderful to be chosen by a judge who probably has many registered artists to select from.  Artists are often housed with a host family, who try to make their adopted artiste comfortable when they're painting in their town.  Working outdoors - all day -  is not easy.  Artists are expected to come up with a specified number of framed and finished pieces for the sales events.  There's a good bit of pressure involved in finishing up, and finishing up WELL.  It can be oppressively hot, or rainy/ paintings may dry too quickly or not fast enough/ they may not turn out as well as expected/ chatty pedestrians can break concentration/ things fall/ wind blows/ hunger calls or even worse....

Collectors of art.....we thank you for your belief in our work and your love of what we do.  It's collectors who help the artist continue to think and paint and create.



Monday, June 17, 2013

Renew, Refresh, Revitalize

While I am preparing for the Western Loudoun Studio Tour  (www.wlast.org) this weekend, I'm also taking these weeks to walk more, meditate more, exercise, breathe in the summer honeysuckle, watch my nearby creek tumble along, battle birds stealing applies from  my trees,  sketch, photograph, paint outdoors (just for myself and no one else)  and garden a little.  I need to go into that private place where I go when I'm painting. I need some refreshing....badly.  I believe I have been suffering from exhaustion....and now for some renewal....